Eleven Seventy Four
Continuing my fascination with odd time signatures this chart is in 11/4 (3,3,3,2 and 3,3,2,3), 7/4 and 4/4. In addition it was originally written in November 1974 for a combo I was in at the time and was performed as a big band chart at Berklee College of Music by Phil Wilson’s lab band in 1983. It features an alto 1 solo and an optional piano or vibraphone solo. This chart has swing and latin grooves that provide contrasting section of the charts. It is aimed at high school, college and community big band advanced intermediate.
Continuing my fascination with odd time signatures this chart is in 11/4 (3,3,3,2 and 3,3,2,3), 7/4 and 4/4. In addition it was originally written in November 1974 for a combo I was in at the time and was performed as a big band chart at Berklee College of Music by Phil Wilson’s lab band in 1983. It features an alto 1 solo and an optional piano or vibraphone solo. This chart has swing and latin grooves that provide contrasting section of the charts. It is aimed at high school, college and community big band advanced intermediate.
Continuing my fascination with odd time signatures this chart is in 11/4 (3,3,3,2 and 3,3,2,3), 7/4 and 4/4. In addition it was originally written in November 1974 for a combo I was in at the time and was performed as a big band chart at Berklee College of Music by Phil Wilson’s lab band in 1983. It features an alto 1 solo and an optional piano or vibraphone solo. This chart has swing and latin grooves that provide contrasting section of the charts. It is aimed at high school, college and community big band advanced intermediate.
Odd Time Signatures, Tuned Percussion, Alternate Band Instruments